Carlotta Borcherding, born 1999 in Hamburg, Germany, is a
media artist who lives and works in Linz, Austria. They study at the department of Timebased
and Interactive Media Art at the University of Art in Linz.
Their projects have established a
focus within the performative art developing choreographic elements, designing and
composing sound and creating acoustic and visual landscapes. Thus placing the body itself
as a medium within a digital and interactive context. Read more
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Exhibitions
PARAGON
(2024)
Paragon is a performance film reflecting on the question of space, of receiving a source of light.
The piece tells a story about two characters, their dynamic with each other and their relationship to light and darkness, to be seen and not to be seen.
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ENVIRONMENT
(2024)
The performancefilm Environment (Umgebung)
shows projected images, which are determinating the space and the radius of action and interaction of the performers is fragmented into lines that represent the very fundamental appearance of any kind of electromagnetic waves, as the physical foundation of light is as well.
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無何有- Mukayu.
Mukayu.
(2024)
Mukayu 無何有 from the Zen philosophy deals
with the “Richness in emptiness”. It means more or less "everything and
nothing".
The choreographer Hinako Taira
and the two media artists Carlotta Borcherding and Holunder Heiß create an
interactive audiovisual dance performance. The audiovisual landscape is
designed with empty and rich sound as well as minimalist light and shadow
elements. Over time its minimalistic concept becomes a harmonious overall picture.
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NORDWIND
(2024)
The series NORDWIND shows the forests of the Thurytal valley in the Mühlviertel in Upper Austria. It is a valley where giants are turned into rocks and where it still smells of sulphur at night because of the devil's work. In the photos, the forest seems to be a place of refuge. A place that offers protection. But who or what is the person in the pictures fleeing from?
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Wind aus Norden
(2024)
Wind aus Norden is a short film that tells a story of friendship and magical powers. While time and the passing of time is an important means of expression, the camera itself becomes a playful medium.
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Untitled
(2023)
The Photoseries was exhibitied at “Sofa, Zimmer, Wohnung” curated by Olena Khoroshylova in Kyiv: An exhibition about the loss of space as an existential crisis, about forced displacement and the search of a new self-conception based on the testimonies of Ukrainian women*refugees.
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POSTHUMAN (2023)
Posthuman is a photo series established at an abandoned location revealing faces and their identities as posthuman und human features interfere.
Why do humans long for urban lost spaces?
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ENVIRONMENT (2023)
Environment is an interactive performance that responds to interaction and movement within a sensory tracking system. Thus, the levels of sound, projection and movement are intertwined.
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PARAGON (2023)
Paragon is an interactive Deep Space performance reflecting on the question of space, light and darkness. During the piece two Identities begin to receive light and start to shape their being.
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DEAR PRESSURE (2024)
Dear Pressure is a collective performance of queer artists that combines layers of text, sound, and video, dealing with the experience within the context of pressure as a person part of the LGBTQAI+*
Community within private and public affairs.
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NoiseRythmLanguage (2022)
NoiseRhythmLanguage is a collective experimental sound performance of sounds, rhythms and language, created by recordings from our immediate surroundings. The sounds are arranged in a system governed by noises, rhythm and speech, creating a unique performance based on different sound patterns.
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